The war against the Fire Nation is far from over. Avatar: The Last Airbender has been renewed for Seasons 2 and 3, which will conclude this epic story.

Since it premiered two weeks ago, Avatar: The Last Airbender has been the No. 1 English-language TV show, amassing 41.1 million views in just the first 11 days. Additionally, the show was No. 1 in 76 countries and in the Top 10 in 92.

A live-action reimagining of the acclaimed Nickelodeon animated series, Avatar: The Last Airbender follows Aang (Gordon Cormier), a young boy who’s the titular Avatar, which means he’s the only one capable of mastering all four elements (air, water, fire, and earth). In Season 1, Aang wakes up after a 100-year slumber to discover he’s the only surviving Airbender. The world is being threatened by the imperialistic Fire Nation, which wiped out every other airbender and is working to subjugate the Earth and Water Nations. With the help of his newfound friends Katara (Kiawentiio), a waterbender, and her brother Sokka (Ian Ousley), Aang sets off on a journey to restore balance to this fractured world.

Aang and his companions achieved a Pyrrhic victory in the Season 1 finale. Sure, they were able to stop the Fire Nation — led by Prince Zuko (Dallas Liu), his uncle Iroh (Paul Sun-Hyung Lee), and Commander Zhao (Ken Leung) — from destroying the Northern Water Tribe, but it was merely a distraction from the larger war. Miles away, Zuko’s sister, Princess Azula (Elizabeth Yu), conquered Omashu, one of the two Earth Kingdom cities that had managed to stave off the Fire Nation until now, and took King Bumi (Utkarsh Ambudkar) prisoner. As if that wasn’t devastating enough, a mid-credit scene reveals that Sozin’s Comet, a rare cosmic event, is on the horizon, which can’t mean anything good for our heroes.

“I thought it was really clever of the writers to end Season 1 in that way, because you want to get a sense that the universe of the show is expanding with every season,” Daniel Dae Kim, who plays Zuko and Azula’s ruthless father, Fire Lord Ozai, told Tudum in February. “And they really did a good job of that with that cliff-hanger and also created a sense of urgency and time.”